Archive for the 'my mouth' Category

Dental Hyginks

Sunday, May 24th, 2009 by Kris

Until the other day, I hadn’t been to the dentist in a long time. Like a long long time. Like such a long time I have trouble translating the true length of my dental hiatus into language. When I finally did go the other day, my new dental hygienist asked me how long it had been:

“A long time,” I said.

“How long?” she asked.

“Years, actually.”

“How many years?”

“Oh I don’t remember,” I lied.

“Like five years? Or ten years?”

“Probably between five and ten years,” I lied again.

Like I said, these aren’t words that come easily. Let me put it this way: “between five and ten years” isn’t a lie because it’s been less than five years.

It’s not my fault that I let the moss gather on my teeth. My Dad never goes to the dentist, so I learned from him (I learned it from watching you, Dad!). Of course, he augments his tooth brushing with tooth picking, the real kind, with a snazzy dental-grade steel tooth picker/scraper, which I once, famously in my family, used to clean out my toenails, assuming that’s what it was for (like I said, I don’t go to the dentist much).

Whenever I told people I was considering getting back in the chair, people thought that was a good time to tell the orthodontic horror story they’d been saving up (“Once I didn’t go for three years . . . then they had to sew my gums back on with a railroad spike.”)

When I finally got there, the hygienist poked around in my mouth, scraping here, probing there, frowning all the while.

“Hmm,” she said, frowning.

“Wrghu?” I asked.

“Wow.”

“Ygher?”

“That’s . . . just . . . not . . . coming off . . .”

(This reminded me of a very similar experience I just had with the electrician and the 25-year old wiring in the basement where I live, which included [I swear to God] a fuse box mounted at a 38-degree angle that had been cut in half with a chain saw, and a bare metal fuse that someone had been nice enough to write next to, in pencil, “danger — do not touch!!!!!” The electrician: “This is just . . . I mean . . . I’ve seen a lot of . . . that’s not even grounded, is it?” And maniacal laughter.)

Back at the dentist, turns out they couldn’t clean my teeth. Well, I’ll just go home then, I thought. No harm no foul. What they actually asked me do was come back for two 90-minute special cleaning sessions that would involve something called “root scaling.”

The first of these sessions also involved, at my request, copious amounts of Novocaine, so it felt like my roots were being scaled somewhere far, far away from my mouth. But they cleaned only the right half of my teeth, which is something my tongue cannot wrap its little tongue brain around. I’ll be sitting there, listening to someone talk, and my tongue will wander freely around the back of my teeth. “Hey,” it thinks, sliding along the backside of my teeth, “this feels different. And this doesn’t.” Then it checks again.

Let this serve as a warning to you: not going to the dentist for an unspecified-ly long time is like living in a house with an ungrounded bare metal fuse box with chainsaw scars. Try not to do both at once.

Lip Ferret

Thursday, August 14th, 2008 by Kris

Yesterday marked one week that Pulao has been in India, while I’ve remained in Minneapolis.

So far, things are deteriorating rapidly. Last night, I had beef jerky for dinner. I’ve also decided that growing a goatee is a good idea, even though my face lacks the proper follicles to support manly hair growth. I’ve even looked into the mirror, rubbed my budding peach-fuzz goatee with two fingers and mused, “Mustache . . . ?” Uh-oh.

A week may seem fast to have descended into the depths of mustache-musing, but remember: I work at home. I may not see another living thing for days, outside of a particularly sharp-toothed cat.

The beginning of the endThere was an unfortunate mustache-growing incident a few years back . This was the only known instance in history where growing a mustache made someone look younger; I transformed myself, through the magic of facial hair, into a scruffy 14-year old.

My friends and fellow apostrophes Duodecad and dbay made no mention of the budding goatee Saturday night. Either they were used to the more robust, Hemingway-esque style of beard that Duodecad seems to so easily sport, and didn’t actually notice my “beard,” or else they realized that, in polite society, it’s best to pretend that nothing had happened.

I’ve resolved not to go down the dark path of my friend Ian, whose wife Anika has been gone for several weeks, teaching kids at a summer camp. Ian, he confessed, recently slept on the couch with all his clothes on. Why? Why not, he said.

Crazy. But the more I think about it, why not, indeed? The bed is rather large nowadays, and who needs the hassle of undressing, and then dressing again in the morning? The couch, clothes on . . . I like it!

Matt’s 10 Best Albums of 2006…That He Bought in 2006, Anyway

Thursday, December 14th, 2006 by Matt

Because the best time to make a list of your favorite albums of the year is less than three hours after you’ve had two teeth yanked from your lower jaw, with the dentist breaking one in the process and having to poke around in the hole to tweeze out all the root fragments—right?

10.  Mission of Burma, The Obliterati, 2006
It has its flaws, like the too-sludgy sound throughout and the fact that they let their drummer, Peter Prescott, write a few of the songs when they shouldn’t.  But I’ve been missing guitar breaks for a while, and there’s an amazing one in Roger Miller’s “Careening with Conviction.”  Plus they’re haunted by the freakish size of Nancy Reagan’s head.  I can get behind that.

9.  Sons and Daughters, Love the Cup EP, 2004
I already had The Repulsion Box, so I knew what to expect:  punk set to a Scottish-folk beat.  (Or Scottish folk with punk vocals.)  Nonetheless, “Broken Bones” has some of the most restrained guitar I’ve heard this year, and “Johnny Cash” rumbles along quite nicely.

8.  Michael Gordon (composer), Decasia, 2002
Decasia the movie is a compilation of decaying filmstrips that flicker in and out of resolution for an hour.  Decasia the symphony is the best haunted-house music I’ve heard since Mocket’s Pro Forma.  The even-numbered movements are the spookiest—think Sonic Youth with a full orchestra.

7.  Gorillaz, Demon Days, 2005
A party album about the apocalypse.  “November Has Come” is my favorite song.

6.  Wilderness, Vessel States, 2006
I think every review of this album that I read compared Wilderness to Public Image, Ltd.  Fortunately, I’ve never heard Public Image, Ltd.  Whichever guy is the vocalist, he doesn’t sing so much as declaim, and the guitars sound pretty piddly to my PJ-Harvey-trained ears, but not in a bad way.

5.  The Timeout Drawer, Nowonmai, 2005
In the same post-rock (so:  instrumental-rock) vein as Sigur Ros and Mono, but without the adscititious sense of grandeur.  They wield keyboards, flutes, and cellos when necessary, but the whole album still sounds like it was recorded in a garage.  That’s the charm.

4.  Maximo Park, A Certain Trigger, 2005
I probably listened to this more than any other album I bought this year.  I finally figured out where they got their guitar sound:  Tommy Tutone.  “The Coast Is Always Changing” has the best chorus I’ve heard in a while.  Pure radio pop, or at least it would be if Clear Channel had any sense.

3.  Carla Bozulich, Evangelista, 2006
Carla Bozulich could fart on tape and I’d buy it and praise it.  The Geraldine Fibbers were just that good.  Evangelista is a little disappointing, though, mainly because I was hoping for an album that would sound like “Blue Boys” from the Kill Rock Stars compilation Fields and Streams:  all children’s instruments and toys, shaped into song.  Instead, she borrows Godspeed You! Black Emperor to make an album that sounds a lot like ‘30s blues, only with more screaming.  The cover of Low’s “Pissing” is too faithful, but “Evangelista I”…dude.

2.  Thomas Stronen, Pohlitz, 2006
Basically, he pulled out all his pots and pans, plinked away on them for half an hour, and added some keyboard squiggles to flesh out the sound.  But it works.  With its weird triangle pings, “Dispatches” is my favorite track.

1.  P.O.S., Audition, 2006
Local.  Genius.  At first I thought P.O.S. wasn’t as good as Atmosphere.  Then I noticed that I listed to this album every day, whereas I listened to Atmosphere about twice a month.  It’s like the crapitization of mainstream hip-hop never happened—there’s cello on “De La Souls,” punk screaming on “Half-Cocked Concepts,” self-deprecation on “Living Slightly Larger,” and P.O.S. acts like it all belongs there.  Best line is the first one.