Kingdom of Heaven (2005)
Ridley Scott must have seen Pearl Harbor and said, “That’s what I want to do!” And William Monahan, who had split a jumbo carton of Raisinets with Scott, said, “I’ll get you a script by Monday.” What other explanation is there? Since Pearl Harbor, no one can claim ignorance of the historical epic’s cinematic follies; Scott & Co. must have meant to employ them. Judged by those standards, Kingdom of Heaven acquits itself admirably. It nails the trifecta of overblown-period-piece suck.
- Writing. William Monahan won an Oscar for writing the departed. He sure . . .