The Unviewed Reviews

Did you guys see Up?

I would say it’s easily one my favorite movies this year, but that’s beside the point. I guess the question I really want to ask is, did you read any of the reviews for Up?

Here’s a few excerpts from Up‘s metacritic page. See if you find anything in common in the language, beyond the fact that most critics seem to adore it.

A captivating odd-couple adventure that becomes funnier and more exciting as it flies along.– Variety

A lovely, thoughtful, and yes, uplifting adventure.– Entertainment Weekly

Rousing, exhilarating entertainment.– . . .

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Dental Hyginks

Until the other day, I hadn’t been to the dentist in a long time. Like a long long time. Like such a long time I have trouble translating the true length of my dental hiatus into language. When I finally did go the other day, my new dental hygienist asked me how long it had been:

“A long time,” I said.

“How long?” she asked.

“Years, actually.”

“How many years?”

“Oh I don’t remember,” I lied.

“Like five years? Or ten years?”

“Probably between five and ten years,” I lied again.

Like I said, these aren’t words that come easily. . . .

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Hole Sale

During one of the boring, unintentionally comical conference calls I had to attend last week, as we discussed marketing efforts, a colleague busted out with, “It’s like ‘sell the hole, not the nail.’”

I could hear the blank stares buzzing through my phone line.

“You know it’s one of those sayings. Like, ‘you don’t sell the sizzle, you sell the steak,’” she explained.

In a way, “sell the hole, not the nail” is like “you don’t sell the sizzle, you sell the steak.” In that they both don’t make any sense.

But the real saying, as folks pointed out, was: . . .

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Corporate Incommunicado

Most of my workday is spent deciphering e-mails from colleagues. I’m the only person who seems to have a problem with the traditional corporate form of communication, which, it seems, is the poorly punctuated, spouted-off e-mail of whatever word salad happened to take residence in your forebrain while your fingers rested on the keys.

When I write an e-mail, it’s treatise on the task at hand, with complete sentences and adjectival clauses separated with real commas. I never use a pronoun or abbreviations. And nobody, of course, ever reads them.

Yesterday, I got this from my boss (who, I must . . .

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Accidental poem at work from funky e-mail line breaks

I got this in my inbox this morning:

It’s been over a decade since
I subcribed to your magazine,
but you used to publish a yearly edition of the top US industrial areas, by city.

Do you still do that, and if so, when was the last month and when will it appear again? Thank you.

I’m sure he didn’t mean it, but he has a real rhythm here . . . two 8-syllable lines, two lines of 24(ish), with the pause before the final two beats, “areas, by city.” is echoed with “again? Thank you.”

And . . .

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